In Minyul’s work, a small chair is placed in unexpected places—on a street-side tree, in a quiet urban forest, or even atop a distant mountain. Onto this fragile seat, the artist sets a piece of her mind, transforming each scene into an invitation to pause. Whether the wind blows, the rain falls, or night quietly settles, the chair becomes a space where viewers can look up, breathe, and briefly reconnect with themselves. It offers a gentle reminder that even the smallest moments can hold stillness and meaning.

This act of placing the chair is symbolic: an exploration of solitude, reflection, and the quiet resilience of the inner self. Minyul hopes that those who encounter her work will find a sense of comfort, especially in moments of loneliness. Through these contemplative landscapes, she encourages viewers to embrace silence as a place of rest and to discover that introspection—however brief—can become a tender form of healing and self-connection.