In Camouflaged Selves, the artist reflects on persona and identity through hair — a cultural form that reveals both what we choose to show and what we hope to hide. Hair shapes, layered like masks, become a second face through which the self negotiates between appearance and truth. Each piece suggests how identity can feel both worn like a costume and lived like a skin.

The process itself becomes part of the meaning. The artist first photographs three-dimensional sculptures, flattening them into two-dimensional images. She then re-attaches hair textures in low relief, slowly rebuilding volume and presence. This repeated shift — 3D to 2D and back again — becomes a metaphor for how identity collapses, reforms, and re-emerges over time.

Here, camouflage is not only a theme but a method, combining visibility with concealment. Through texture, surface, and transformation, the work asks viewers to consider how selves are constructed, guarded, and continually reshaped — not fixed, but living.